Footage — Summary

After a quick tracking shot along the dark corridor there's a panning shot of the room. A jazz tune assails the quietness and the lamp sheds a yellow print on the cloths and papers scattered over the floor. Your thoughts suddenly make a retrospective start, then they return to the untidy place –there's always a return– and they retry their worthless struggle bending their backs as waves would do.

There's no one in this room except the invisible hero, absurd and stubborn, for not in vain wev'e already made use of a simile that approaches the magnificent tedium of the sea on the shores. The furniture is scant and the cold winter wind pulls its dirty fingers through the inky gap of the inky-black window.

Unsteady steps sound in the stairs with the coughs of a drunkard. And your thoughts bend their piercing stem of wishes towards the past trying to put in order the remainders of life, the chaotic, indigestible waste of the world elapsed.

There's no one in this room. If only... And the camera shuts it's eyelid of shadows.

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The poem describes an empty, untidy room as if it were a film scene: a tracking shot down a dark corridor, a pan across the floor, a jazz tune, a yellow lamp. But the real subject is the mind of someone sitting there. Their thoughts keep trying to escape into the past, to sort out what the speaker calls the "indigestible waste" of a life gone by, and keep falling back to the room. The comparison with waves, which return again and again to the shore, captures that pointless repetition, and the speaker even finds the image a little tedious and "magnificent" at once.

The mood is cold, lonely, and weary. The winter wind, the black window, and a drunkard's unsteady steps on the stairs add to the bleakness. The refrain "There's no one in this room" suggests that the person is either absent or emptied out, an "invisible hero" watching themselves. The ending, "If only...", trails off unfinished, and the camera closes its "eyelid of shadows," leaving regret and darkness.

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