how will these exposures turn out — Summary

• how will these exposures turn out given our sumptuous penury, we are rich in despite, in raised voices and luxuriant imagistic scars. i have been walking and peeling off layers and sticking others on, but what sort of glue is words. clag, that smacked and wiped me till i acquiesced in a person, who whiled their time squatting on a desk, siphoning emptiness into their womb to take the edge off. wind penetrates used nylon to be closer to us, finds haven in banners, scuttles a copse. what do they say apart from colour and debilitation and get on with it, go on with your work, abide the ferment. and if to your hands come bruised friends to be held up by their wizened wrists, their necks slack and green, you wipe them down and chide them in a put-on voice to remind them what they are, a faintest threat of persistence squirming on the head of a pin, still about to be eaten, , and the process continues. its been swell playing these cards warmed by your fingers.

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The poem seems to be about getting by in a precarious, worn-down world, and about the small acts of care that keep people going. The opening phrase "sumptuous penury" sets the tone: the speakers are poor but rich in anger, raised voices and scars. The speaker describes changing layers of identity, trying to stick things together with words, which they doubt are strong enough glue. Judging by the banners and the wind, there may be a protest or collective struggle in the background, though the poem never says so directly.

The middle turns tender. When "bruised friends" arrive, limp and exhausted, you wipe them down and gently tease them back into themselves. Their survival is pictured as tiny and unsteady, a creature on a pin about to be eaten. Still, "the process continues." The ending is quiet and warm, with the speaker thanking someone for a shared game of cards. The mood is tired, wry and stubbornly affectionate.

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