GETTING SERIOUS — Summary

Coyotes are gathering acorns to plant in the forest. One day there will be enough. Even now, the ancient acorn-eating peoples curled in their river-gravel mounds are arising and tuning their drums.

Red squirrels are growing opposable thumbs and tails like monkeys. Soon they will be able to open any door; they will wield paintbrushes and spoons. Soon they will be able to sing.

Bears awaken early, craving beef and beer. Elephants are learning to dig tunnels. Dark Matter is gathering, incomprehensible, into a god of infinite dimension. All the stars are opening their pointed mouths.

Is this so strange? Once there was a spirit in every tree. Once all the animals could speak. And you, stubby primate, secure in illusions of grace,

is there anything you really understand? Your brain extends through the soles of your feet and beyond the thickness of your skull. It mingles with the shards scattering into cosmic curves.

It’s time to get serious: Take for example, this universe– moving faster, heaven knows why. Evolution goes on, outside your blindfold. And take consciousness, that old homunculus, that ancient soul that no one’s ever found.

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Pratt opens with a playful, almost fairy-tale picture: coyotes planting acorns, squirrels growing thumbs, bears craving beef and beer, elephants digging tunnels. Nature seems to be getting ready for something, and even the long-dead acorn-eating peoples are rising to tune their drums. The speaker presents all this with a straight face, then asks, "Is this so strange?" After all, people once believed in spirits in every tree and in animals that could speak.

The tone then turns on us. Calling the reader a "stubby primate" living in "illusions of grace," the speaker suggests we understand far less than we think. Our minds reach beyond our skulls and mingle with the cosmos, the universe is speeding up for reasons no one knows, and consciousness is a soul nobody has ever found. The mood is wry, humbling, and a little thrilling. The title's "getting serious" is ironic: the poem's wonder is exactly how it makes its point about our limits.

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