THE PROCESS — Summary

Mary F. C. PrattContemplative

Sometimes the hungry baby was left to cry. The llama at the zoo spat, someone stole the arrowheads. A woman in a white dress played a harp by candlelight. The teacher’s pet got the lead in the play. Father pulled the sled through the lamplit park in the falling snow. Later, he started to drink and Mother wouldn’t tell. There were springs with fragrant crabapple bloom, and summer crowns of daisy and vetch. There was a Christmas when everyone had chicken pox.

There was the lover who, after long uphill walks, after kisses in summer rain, left without saying goodbye. There was a lover who stayed, a sister who died, a child who grew up and went away. There were hands, eyes, the songs of many birds. There was good work and disappointing work, illness that caused pain—yet always autumn passed with color creeping down the hills and coyotes gathered under the window to sing to the mice and the moon

Sometimes there was a year without noticeable weather, flavor or song; a moment large enough to hold a city or a forest. Often it had to do with being awake: smelling every single thing, noticing the way the light shifted, the arm ached, the sparrow fell. Always there was the body, strange receptacle of lust and sleep, where time and the highway intersected, where infinity met friends for coffee, where every passage was a kind of standing still.

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Pratt's poem reads like a life flipping past in snapshots. It begins with childhood scraps: a crying baby, a spitting llama, a father pulling a sled through the snow, and later his drinking, which Mother kept quiet. Joy and hurt sit side by side with no ranking. Then adulthood arrives with lovers who leave or stay, a sister's death, a grown child going away, good work and bad, illness. Yet autumn still comes, and coyotes still sing to the mice and the moon.

In the last section the poem slows down. Some years pass with no "noticeable weather, flavor or song," while certain moments feel big enough to hold a city. The speaker links those moments to being fully awake and paying attention. The body becomes the place where everything meets, where "infinity met friends for coffee." The final line, that every passage is "a kind of standing still," leaves a calm, wondering mood: life moves fast, yet it is only ever lived in the present.

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