CALLING CROWS — Summary

Mary F. C. PrattContemplative

From her chair by the window, Mother watches crows settle in the pines. I can call them, she says. I caw and they come.

Underneath the table, her tiny dog snores his tiny snore. I search through piles of papers on the desk for notices and bills; I make us cups of tea. She scolds me for carrying a stack of books she thinks too heavy. I scold her because she bends to pick a paperclip from the floor.

She won’t write captions for the family photos, her trip to Mexico after the War. I don’t bring her copies of my poems or tell her I’m writing a book.

Our failures persist like rusty stains on Grandma’s tablecloth. Mother can say You’re doing so well. You make me so happy but that’s not something I know how to hear. You did what you had to do, I can say, but she knows so well that I am wrong.

Caw, she says, caw. Now come and see.

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A grown child visits an aging mother, and the poem moves through ordinary moments: tea, dusty papers, a small snoring dog. The two women fuss over each other, each scolding the other for being careless with her body. It reads like worry dressed up as bickering, which is often how love sounds between family members.

Beneath the routine, a lot goes unsaid. The mother won't caption the old photographs, and the speaker keeps her poems and her book secret. When the mother offers praise, the speaker can't take it in, and when the speaker offers comfort, the mother knows it isn't true. The "rusty stains" on the tablecloth capture how old failures linger between them.

The mood is quiet, tender, and a little sad. Yet the ending softens it. The mother calls the crows, then invites her child to "come and see." It feels like an offer of connection, small but real.

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