ON A SUMMER MORNING, SHE GOES WALKING WITH DEATH — Summary

Mary F. C. PrattContemplative

Come with me, she says. Look around: green chokecherries will ripen to black. Listen: the common yellow-throat’s uncommon song.

Yes, I see your dead doe in the ditch. She is not lost. She is grazing on tender grass in a place you cannot go.

Flowers bloom by the old brick house. Look: a yellow cat among the asters. Shades of mice scamper around her feet.

Wild apple trees will bear a sweet and gnarly fruit. Can you hear the laughter of your farmer tending them a hundred years ago?

Bluebells and daylilies, dead nettle and roses spread around that abandoned foundation hole. Your gardener is there, her hands deep in the soil.

Beehives where the tavern was when this was a stagecoach road. Do you hear the singing?

See the cows there, in that barnyard? The one closest to the fence has a wise intelligent face. I was here when she was born, not you.

The fields are scented with alfalfa and sweet clover. Hear the new-fledged swallows chip, see them tilt through flocks of your passenger pigeons, across the clearest sky.

Yes, I remember your dead twin calves and their mother licking them. I tell you they are not lost. They are with her still.

See there? What do you think? Those harriers who nest in the pinewoods on the edge of the gully are hunting baby rabbits above the corn.

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In this poem, Death is a companion on a summer walk, pointing out the beauty of a rural landscape and speaking directly to a "you" who seems to be the person being led. Again and again she says "look" and "listen," and what she shows is a countryside full of the dead who are not really gone: a doe grazing in a place "you cannot go," a farmer laughing a hundred years ago, a gardener with her hands in the soil, even passenger pigeons filling the sky.

Death's voice is calm, almost tender, though it has an edge. "I was here when she was born, not you" reminds us who holds the real authority, and the closing hunt of the harriers admits that life feeds on life. Still, the mood is mostly peaceful and consoling. Past and present overlap, and loss becomes a kind of presence. Death here is less a threat than a keeper of everything that has lived on this land.

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