BLONDE HAIR AND OLD FEET — Summary

Mary F. C. PrattContemplative

—a three-year old describing her grandmother.

Do you know here have those old feet have been? Places a granddaughter never could guess– or even a daughter, who still is too young.

They’ve danced alone on cool spring grass, printed sand left wet by the ebbing tide. In stylish shoes, those feet have tripped down a city street on some dark errand. In heavy boots once, they climbed a hill with a lover to watch the moon rise.

They have walked steady and soft in a silent room so long that the wooden floor still holds the memory of their restless tread.

And think of what those old feet have pressed into earth: the leaves of long summers, drifts of dust from skin and stars, bones and feathers and tears.

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The subtitle tells us the words come from a three-year-old describing her grandmother, though the poem sounds far more worldly than a small child would. Whatever the framing, the speaker looks at an old woman's feet and sees a whole hidden life. The feet have danced alone on spring grass, left prints in wet sand, hurried down a city street on some "dark errand," and climbed a hill with a lover to watch the moon rise. These are places and moments a granddaughter, or even a daughter, could never guess at.

The tone is tender and full of wonder. The speaker isn't pitying the grandmother's age but admiring how much she has lived. The mood darkens a little in the third stanza, where the feet pace a silent room, and the floor "still holds the memory" of their restlessness. The ending widens out to leaves, dust, stars, bones, feathers and tears, as if the feet have touched everything joyful and sorrowful in the world. Old feet become a kind of map of a life.

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