PORTRAIT OF THE GARDEN BEFORE FROST — Summary

Mary F. C. PrattAugust 30, 2003Contemplative

Too many weeds and the overgrowth of thyme, sprawl of echinacea, hollyhock and balm sprouting all over and tipping, and rosebushes with their swollen hips and beetle-hole trim.

Soft tomatoes drop from blighted stems, slug-gnawed peppers rot. Tough-skinned zucchini lizards stalk among mildewed leaves.

Are these bloated yellow giants the cukes I planted here among the beans? Pumpkin vines crawl across remains of flowering radish and lettuce gone to seed.

On paper it was perfect, neat: the gourds all there, just so, not a bug or weed, carrots in their tidy rows.

But July was hot and August dry; rabbits came, and things sprang up volunteer. Weird squashes took root around the compost and I had no heart to pull them away.

I cannot help but be surprised– this life, the garden that happens, this unexpected confusion sprung from desire and chance and choice, this complicated fruiting of order and dream.

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Late in the season, the speaker looks over a garden that has gone wild. Tomatoes are rotting, peppers are slug-eaten, zucchini have swollen into hard-skinned monsters, and weeds and herbs sprawl everywhere. The speaker even wonders whether the huge yellow things are the cucumbers she planted. The poem lists all this in vivid, slightly gross detail, so the mess feels real.

Then comes a contrast. On paper, the garden was neat and perfect, with tidy rows and no bugs. Reality brought a hot July, a dry August, rabbits, and unplanned "volunteer" plants. The speaker admits she couldn't bring herself to pull the odd squashes by the compost.

The mood shifts from rueful to quietly delighted. The final lines show her surprised and a little amazed by "the garden that happens," a mix of "desire and chance and choice." The poem seems to suggest that life, like a garden, rarely follows the plan, and that's not a failure.

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