ALLEGRO — Summary

by Tchaikovsky choreography by Isadora Duncan

Here is a call to bear arms, a freedom to rage. Here three women in orange veils slam their fists in the air, pound their bare feet on the bare floor. Their glossy pony tails lash wild behind them. The two young dancers– sharp soft animals so sure of their youth– are ready to leap somewhere else, to prance off the stage, searching for another truth, The one old dancer in between–her brave body, arched blue-rooted feet, every line and finger-flick–holds us all here, alive in this hard world, this changing flesh, this time. She knows the discipline of being free. She comprehends: there’s nowhere else to be.

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The speaker watches a dance performed to Tchaikovsky, choreographed by Isadora Duncan, with three women in orange veils. At first the energy is fierce: fists in the air, bare feet pounding the floor, ponytails whipping behind. The two young dancers seem restless, almost ready to bound off the stage in search of "another truth." They are animal-like and confident in their youth.

The poem then turns to the older dancer between them. Her arched, blue-veined feet and precise gestures keep the audience grounded in the present, in a "hard world" and "changing flesh." The speaker admires her deeply. Where the young dancers imagine escape, she understands that freedom comes through discipline, and that there is nowhere else to be.

The mood moves from wild and rebellious to calm and quietly moving. The closing rhymed couplet lands like a settled conclusion, and the poem ends on acceptance rather than defiance.

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