Pratt's speaker is stuck in a concert where nothing works, and she tells us about it in a long, deadpan list of complaints. At first the grievances are small and believable: the wrong program, missing bulbs, old gum, cold popcorn. Then they pile up and tip into absurdity. A flautist's pants fall down, a hurdy gurdyist is drunk, and the musical directions turn into jokes like "andante pessimisto."
The speaker sounds fussy and exacting, noticing a single out-of-tune D string and a timpanist moving her lips. That precision is part of the fun. She is so busy nitpicking that the evening turns into a comic disaster. The ending is a burst of chaos: she yells "Fire!", the orchestra cheers and flees, and only the conductor stays behind, still swinging his purple baton. The mood is playful, exaggerated, and a little mischievous, a gleeful rant about how awful a night out can be.