White Guy in an Asian Supermarket — Summary

Max ReifCheerful

Ranch Market 99. The new Asian superstore! As the white guy enters, Pushing his cart, he sees there’s no need to worry God’s imagination’s running dry.

Great ships still dock in San Francisco, LA, New York. Fishing boats throw up their catch. Tropical produce is hauled in containers raised onto trucks, unloaded, and arranged in these exotic mountains.

Dragon fruit stares in his face, red, something from a dream. A dozen kinds of mushrooms from a dozen fairy tales. Strange stalks he’s never seen, with names he’s never heard: Ngami, Boc-ha, Gabo. Pink pummelo, like grapefruit blown up with a pump. Banana flower buds.

In the seafood section dozens of black bass tread water in a crowded tank next to a roomier one swimming with silver carp. In a third, big-eyed jumbo shrimp, looking wise, have fun dive-bombing to the depths, then letting themselves be carried back up by the tank’s water jets.

Signs say “Fish Paste” and “Soak Squid”— more pleasant dissonance! Two dozen fish species lay on ice, as though sun-bathing.

It’s morning. The aisles are just beginning to awaken with questing shoppers.

America’s new face, he thinks as he pays and goes outside. And for a little while, what he sees there is also a strange bazaar.

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A white shopper walks into a new Asian supermarket and finds himself delighted. The poem follows him through the aisles, where everything looks unfamiliar: dragon fruit that seems pulled from a dream, mushrooms that recall fairy tales, vegetables with names he has never heard. The opening suggests his relief that "God's imagination" hasn't run dry, and the market proves it. Even the fish and shrimp in their tanks seem playful, almost sunbathing or dive-bombing for fun.

The speaker's feeling is curiosity and quiet joy, with no hint of unease. The tone is light and a little humorous, helped by odd comparisons like the pummelo as a grapefruit "blown up with a pump." The poem also traces how these goods travel, from ships and trucks to the displays, so the market feels connected to the wider country. At the end, he thinks of this as "America's new face," and when he steps outside, the ordinary street still looks like a "strange bazaar." The wonder lingers.

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