The Visit — Summary

Max ReifDreamy

Now I’ve created this city again from its latency among my maps of memory.

Roads here lead to old places inside, comfortable furrows like the ones etched on grey-matter surfaces in photos of brains.

I ride these roads of memory, sweet grooves that long ago finally led me away, flung to the east, then to the west, spun in a centrifuge of time;

led away from the child first impressioned by the carnival of lights down on Easton near the Furniture Store; flickering phantoms on the TV screen in our old, dark living room; Daddy’s beloved mansmell and shiny, bald head.

I open memory’s drawer to find the storms that raged here once have blown themselves out, old volcanoes quiet now, grown over with green.

Past and present make love in a wholly aesthetic universe with the added feature of a living pulse. I live a loop-around, like a metaphysical Cessna pilot flying curlicues in the time-space continuum.

Raising my cup of this heady blend, looking out the picture-window of time, I drink to such elegant simplicity.

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The speaker mentally rebuilds the city of their childhood, drawing it out of memory like a map. The roads they travel are really grooves in the mind, compared to the folds of a brain in a photograph. Along them come small, vivid details: carnival lights near a furniture store, flickering shapes on the TV in a dark living room, and a father's smell and shiny bald head.

Life has since carried the speaker away, east and then west, as if spun in a centrifuge. Returning, they find the old storms have died down, and the past now looks like quiet volcanoes covered in green. The feeling is calm, even warm, rather than sad.

In the final stanzas, past and present seem to blend, and the speaker imagines looping through time like a small-plane pilot. The poem ends with a toast, raising a cup to this "elegant simplicity." The mood is contented, reflective, and a little playful.

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