Identity — Summary

Max ReifContemplative

I’ve written a book that just came out,

and as I held it in my hands last night after reading a few pages, I felt the current of all my sixty-nine years flowing between those covers.

How can that be? There are so many mysteries.

I can remember when I was three, sitting in the little sandbox in the courtyard of our apartment building, a few days after having my tonsils out, and starting to bleed from the throat.

Mother rushed me to the hospital, where the doctor waited with a gurney he set me on, then ran me down the halls to a room where he cauterized, that is, burned, the wound, while I screamed and Daddy held me.

All the while, I was not really that three year-old, but someone watching the whole scene –

the same someone who is watching now as I hold this pen and write these words

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The speaker has just published a book, and holding it, he feels all sixty-nine years of his life running through its pages. He doesn't try to explain this ("There are so many mysteries"). Instead he drifts into a vivid memory from age three: bleeding from the throat days after a tonsil operation, being rushed to the hospital, and screaming while a doctor burned the wound and his father held him.

The memory is frightening, yet the poem tells it in a calm, plain voice. That calm is the point. Even in the middle of that pain, the speaker says, he wasn't only the child. Some part of him was watching the scene. And that same watcher is present now, seeing him hold a pen and write these very words.

The mood is quiet, reflective, and a little wondering. The poem suggests that identity isn't the changing body or the stories of a life, but the steady awareness that has observed it all.

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