Remember — Summary

MayaInspired

Do not let the faces fool you. Every bump in the night, May be the cruel figments of your mind Hoping to ignite the illusion of utter insanity.

Do not for one second Believe in the spine-chilling moans that seem to leak from every unsightly crevice of your disfigured thoughts.

Do not allow yourself To slip from the serrated edge of sanity, Even for a fleeting moment. For the comfort is short-lived, And the slope is endless.

Do not stare too long At the scorched bodies of men, Contorted into the soot covered demons That will unfailingly materialize In your loneliness.

Do not take the threats, Which echo in the Impenetrable darkness, lightly. They are the fabrication of your own self-destruction.

Do not think They won't bury you alive, Every chance they get. Leaving the decaying scent of wilting roses atop the mounds of dirt. Where they will scrawl your name in haste across a grimy tombstone.

Do net let The voices sway you into madness. For they will play your vulnerability with the fingers of a skilled harpist. Leaving you so intoxicated with the sweet melody that you will believe you asked for your own demise.

Do not forget the flimsy nature of your deteriorating mind, when appealing whispers begin to ring in your ears. They are merely hoping to glimpse your downfall.

Remember, not to let them get the best of you. that if you find anything salvageable In the chaos inside your head, or the tsunami inside your heart. Grasp onto the small beam of hope, and begin putting yourself back together.

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Maya's poem is a long list of warnings the speaker gives to herself, or to anyone whose mind is turning against them. Nearly every stanza begins with "Do not," and the commands pile up like a person gripping onto reality. The dangers are all inside the head: noises in the night, voices, scorched figures that appear in loneliness, whispers that sound sweet but want a downfall. The speaker insists these are "figments" and "fabrications," yet they feel frighteningly real.

The mood is dark and claustrophobic. Images of burial, decay, and wilting roses make madness feel like a slow slide down an endless slope. The voices are especially unsettling because they seduce, like a harpist's melody that makes you believe you asked for your own ruin.

The final stanza changes the tone. The speaker shifts from "do not" to "remember," and offers a small, quiet hope: if anything in the chaos can be saved, hold on to it and start rebuilding.

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