HOT FLASHES — Summary

Mary F. C. PrattDec. 11, 2000Cheerful

“Hotflashes” are not pedestrian–not dull colorless drab humdrum lackluster stodgy uninspired “lacking in liveliness, charm, or surprise” — but rather pointed, chromatic, vivid, symphonic, flavorful, fresh, animating. What better way to describe the quality of heat flaring out from core to face like the melted innards of Earth vented from volcano, like wildfire scorching shabby unkempt forest, like blowtorch, blastfurnace, bunsen burner under ore-filled crucible, melting out iron, silver–who knows?–even gold, like hot air roaring, filling the bright bag of a balloon drifting slow above orchards, over fields of ripened corn.

Certainly they are not lacking in liveliness? Isn’t it fun to watch us frantically fanning, opening our collars, rolling up sleeves, peeling off sweaters like aged strippers gone mad? Our bedmates awake amazed as we flap the sheets, throw quilts on the floor, frighten the cats. We leap up to open windows, let in the blowing snow. And surely no cosmetic can equal the charming girlish flush a hotflash paints across a tired face?

Or is there anything but birth or love or death that can surprise us more? What is happening? we cry. We’re barely accustomed to fertility, and now it’s gone with the scirocco. It took us so long to grow up, and now, in a flash (or two), behind our mirrors we see not our mothers’ but our grandmothers’ faces gaping in wonder at the astonished old women staring back with eyes that are strangely, still, our very own.

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Pratt's poem takes the dull, medical-sounding phrase "hot flashes" and argues the opposite: they are anything but humdrum. She piles up bright adjectives and then images of heat, from volcanoes and wildfire to blast furnaces and a balloon drifting over cornfields. The speaker's tone is playful and teasing. She pictures women fanning themselves, peeling off sweaters "like aged strippers gone mad," frightening the cats, and throwing open windows to the snow. Even the flush on a tired face gets called charming.

Underneath the jokes, the mood shifts. The speaker admits that a hot flash surprises us almost as much as birth, love, or death. Fertility is barely familiar, and then it's gone. In the final lines, a woman looks in the mirror and sees her grandmother's face, not her mother's, yet the eyes are still her own. The poem moves from comedy to a quiet, wondering acceptance of aging.

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