GASTROLITHS — Summary

Mary F. C. PrattMay 16, 2008Cheerful

Traditionally, the rich partook of diamonds in the drawing room just before dinner. Butlers filled and passed the heirloom lith-bowls made of ebony or jet, and subtly shaped to show to advantage the clarity, the fire. To employ a family crest or other personal symbol has always been considered execrable taste but at State and Embassy functions, it has not been uncommon to see one’s country’s flag displayed in coloured gems on a small rectangular tray above one’s service plate. However, since good cheap synthetics are available now, many discriminating people have turned to laser-shaped obsidians imported from Armenia or Greece, or hand-knapped flints from paleolithic sites in Middle Belgium or Southwest France. A small monogram may be engraved on each.

The newly rich debate the merits of river stones from the Amazon, the Volga, the Nile. They choose colors that match their decor, shapes that complement their latest dinnerware, textures that enhance the dining experience. They arrange the stones in individual dishes garnished with rose petals or eucalyptus leaves, or on polished boards of exotic woods, or in perfect shells. They are careful to select compatible wines.

Vegetarians, Progressives, and others of that ilk use organic pebbles which they gather from pure sources in local mountains or deserts and pile in pottery crocks or scatter in fountains of filtered rainwater. They select and swallow a few any time of day, whenever they feel the need.

The poor grab whatever they can get: broken cement, beach glass, a handful of winter gravel left over on the edges of the road.

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The poem pretends to be a deadpan guide to etiquette, describing how different social classes eat stones. The title points to gastroliths, the stones some animals swallow to help them digest food, and the poem turns that idea into a dinner-party custom. The rich treat their stones like diamonds, served in ebony bowls, with rules about taste and even a flag in gems at official events. The newly rich fuss over colors, textures and matching wines, so their stones become décor. Vegetarians and progressives gather "pure" pebbles and swallow them whenever they feel like it, which the speaker describes with a hint of mockery.

Then the tone shifts. The poor "grab whatever they can get": broken cement, beach glass, road gravel. The earlier lines are polished and absurd, but here the language turns plain and bleak. The speaker doesn't need to state a view. The joke about status and fashion suddenly shows that some people are simply hungry. The mood runs from dry satire to quiet, sharp sadness.

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