NATURE CALLING — Summary

Civilization will not allow for instinct: no dinners of raw mice, no clawing the eyes of enemies, no mating or defecating in the public streets.

Often, the dog scenting dog, coyote, fox –something pungent, instructive, on a tuft of grass– will turn against my call, ponder, consider, squat to make her mark.

One morning, as I walked between red cedars, young pines, stooped to move between low branches, to follow a mossy path worn deep by wild feet, I felt an insistent urge to pee.

So there it was: a seizure by immediate beauty –light filtered through dark pines– compelling me to say in the simplest way I could, my animal way,

I was here. This place is mine.

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The poem begins with a joke-like list of everything civilization forbids: eating raw mice, clawing enemies, mating or relieving yourself in the street. Then it turns to a dog who catches a wild scent and, after a moment of thought, squats to leave her own mark. The speaker watches this with a kind of quiet kinship.

Then it happens to her. Walking a mossy path through cedars and young pines, she feels a sudden urge to pee. The poem treats this as something close to a spiritual moment, "a seizure by immediate beauty." The place is so lovely that she answers it the only way her body knows how.

The tone starts wry and a little playful, then becomes warm and almost reverent. The last two lines are plain and bold, like a child's or an animal's claim. The speaker doesn't feel embarrassed. She feels, for a moment, fully part of the woods.

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