THE FAIRIES — Summary

Their land is bigger than you’d suppose. Like the sea it disappears into the sky, above the trees, one smudgy line. First time I went there, the Queen took me, wanted me to marry her youngest. I wouldn’t. He was handsome enough, but there was something not quite right about him: the way he smiled, maybe the way his nails grew long and blue-tipped instead of white and pink.

Some people think it’s those big ones who cause the troubles. But it’s the little ones, imps, I call them. They’ll sour the milk and stale up the bread, leave footprints all over a fresh-iced cake just for the fun of it. Now and then I find in my dresser drawers the handkerchiefs all rearranged. Once an embroidered one folded like a bedroll.

And then there’s changelings. Happens all the time. There’s at least three in this town I know of. I’ve seen those babies they took when I’ve been over in their land– they don’t remember their mothers, but sometimes, early mornings, they get a longing look. They’re mostly happy; fairies take good care of them. Back here the mothers say “Trouble. This baby is high-strung trouble.” They wouldn’t believe me if I told.

But those big ones now, on their horses so white it looks like the moon is out even when it isn’t, they go about their own business. ‘Course they can be dangerous if you don’t watch out, but so is anything worthwhile. As long as you use your head, they’ll do you no harm.

Used to be, folks didn’t talk about them, or they called them other names. But if they’re fairies, why not say so? Truth is truth, and it will out, like they say. It hasn’t done me any harm I can tell of.

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The speaker talks about fairies the way a neighbor might talk about the weather: calmly, with plenty of opinions. She has visited their land, turned down a marriage offer from the Queen's youngest son, and noticed small, unsettling details about him, like his long, blue-tipped nails. She sorts the fairies into types. The big ones on their white horses mind their own business. The little imps cause the everyday mischief, souring milk and rearranging handkerchiefs.

The most poignant part is about changelings. She sees the stolen babies, who are mostly happy but sometimes have a faraway, longing look. Their human mothers just call them "trouble," and the speaker knows no one would believe her.

The mood is dry, homely, and quietly eerie. Her plain voice makes the magic feel ordinary, while a thread of loneliness runs underneath. She holds a truth others won't accept, yet she insists it has done her no harm.

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