EMPTY STREETS — Summary

Once there were women with baby carriages; men in bright uniforms, their black boots and swords. Once, yellow dogs roamed the streets; you could see around the doorways feral cats napping in the sun. White washing hung from the lines between houses. People were cooking chickens or baking bread. Now and again, a red balloon some child had let go drifted above the towers and the trees.

Where once there was music, there are no echoes left. In this darkness that was bound to come, you cannot see your broken hands. Perhaps, when it is finished, you will find again that house with the mock orange tree under the window or the school with the broken stairs. Perhaps you will meet your mother all in blue with ribbons in her hair, or a dim version of your little self rolling a hoop or dressing a shabby doll, or the lover whose jacket smelled of lemons.

But now there is nothing but the whisperings of white-clad strangers, and everywhere a cold scent of snow streams from the open doors.

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Pratt's poem moves from a lively, ordinary town to a silent, frightening present. In the first stanza the speaker recalls small, warm details: mothers with prams, stray dogs, cats dozing in doorways, laundry on the lines, bread baking, a red balloon drifting up. Everything feels busy and safe, though the uniforms and swords hint at authority.

Then the mood turns. The music has left no echoes, and the darkness is something "bound to come," as if the speaker always sensed it. The line about not seeing "your broken hands" suggests helplessness and damage. The speaker hopes that when it's over, the lost things might return: a childhood house, a mother in blue, a younger self, a lover who smelled of lemons. But "perhaps" keeps that hope fragile.

The ending is cold and eerie. Only whispering strangers in white remain, and the scent of snow pours from open doors. The poem leaves us with grief, loneliness, and a sense that what was lost may not come back.

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