CLEVELAND, 1930: ON THE STREETCAR — Summary

Mary F. C. PrattContemplative

Look at his hands and tell me what is his job. Yes, rough like your pa’s hands, so hard work. That lady has been crying, has red eyes. See— gold ring on her thumb. I think her husband is maybe dead.

There is accent behind; no, don’t look. You know is not German, not Russian. Czech. Is enough like Polish to make me laugh. Someday you teach your children always there is something new to see.

Why is that man wearing slippers? Is he stupid, or did he forget? Oh maybe no shoes, but look at his clothes. He is not poor.

Remember story: I thought my papa did not miss one pear. Foolish girl! Papa said God looked down from heaven and saw me like God saw Adam. Remember: everything God sees.

Is that lady sister or girlfriend? Yes, girlfriend. Look at their shining eyes. Here is hospital so we get off. Your papa will be happy. You make him smile. Big step down. Hold my hand.

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A mother, speaking in broken English, rides a streetcar with her child and turns the trip into a lesson in paying attention. She reads strangers like clues: a man's rough hands suggest hard work, a woman's red eyes and thumb ring suggest a dead husband, an accent is Czech rather than German or Russian. She even guesses at a man's slippers and decides he isn't poor because of his clothes. Her guesses are tentative ("maybe"), but she clearly enjoys looking.

Midway, she tells a story from her own childhood about taking a pear, and her father saying God sees everything. Her point seems to be that the child should look closely at the world and also remember that she is seen. The mood is warm, curious, and tender. The ending reveals the stakes: they get off at a hospital, where the child's father waits. The mother's "Hold my hand" quietly shows love and worry beneath the gentle chatter.

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