LOCATIONS — Summary

“. . around the edges of oddness” ~A Bluebird Fairy by Emily Anderson

You won’t find it in halls of ivy, or in the chambers of kings. It isn’t between the covers of carefully curated volumes available only to members with reservations. Never in anything organized by color or size. Never in anything glossed or listed or rewarded. But look! It’s teetering on a tooth from a reconstructed conodont. Spinning on the rim of a sixpence balanced on a pole balanced on the rubber nose of a clown riding a unicycle on a tightrope stretched between a stormcloud and the beak of a raven. It’s lurking in the garden dirt under the left thumbnail of the weaver’s second daughter. If you want it, you might start there.

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The poem is a kind of treasure hunt for something it never names. The speaker begins by saying where "it" is not: not in universities, royal courts, exclusive libraries, or anything sorted, ranked, or rewarded. These are places of prestige and order, and the speaker dismisses them in a flat, almost teasing list.

Then comes the turn: "But look!" The speaker's tone brightens, and the poem tumbles into a wild chain of images, from a tiny fossil tooth to a sixpence balanced on a clown's nose, all stacked up on a tightrope between a stormcloud and a raven's beak. The precariousness is the point. Whatever "it" is, it lives in the odd, delicate, improbable places.

The ending is gentle and funny. The prize is in the dirt under a weaver's daughter's thumbnail, and the speaker casually advises, "you might start there." The mood is playful and wonder-filled, and it seems to favor curiosity over status. The epigraph's "edges of oddness" fits that idea.

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