DRAWING LESSON — Summary

Here you are, most with a world ahead, some with half a world behind, come to draw the human form. And here I am naked before you so comfortable, easy in my eighty year old skin.

I love my folds, metamorphosed mountains. You think you can draw an old woman, dear babies? Lean in, look hard. It will cost you all your life.

I have been down deep, through muscle, sinew, bone. Loved long a man long dead, borne a son and let him go. I am learning how to pray and I laugh when you ask me to tell.

In my time I have come to the heart’s solid core– heat of life and more– Now over you I pour my fire like water. From where I lie I see the place the stars will rise.

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The speaker is an eighty-year-old woman posing nude for a room of art students, and she is entirely at ease. Instead of feeling exposed, she talks back to the people studying her. She calls them "dear babies" and warns that drawing an old woman will "cost you all your life," as if her body holds more than they can capture in a single sitting.

She describes her skin as "metamorphosed mountains," a phrase that turns wrinkles and folds into something geological, shaped slowly by great pressure and time. Her life comes through in brief, quiet details: a long love for a man now dead, a son she raised and released, a private effort to learn how to pray. When the students ask her to tell more, she laughs rather than explains.

The mood is warm, proud and a little playful. By the end, she is generous, pouring her "fire like water" over the young. Lying there, she looks ahead to "the place the stars will rise," which suggests she sees death as something calm and even beautiful.

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