WAITING FOR SNOW TIRES — Summary

Mary F. C. PrattContemplative

You’d think we were waiting for bad news.

A red-haired woman in Raggedy Ann leggings holds on her lap an enormous hoop; she is quilting on black satin: golden stars, a silver moon. The village celebrity, solemn and tweedy, aware of his beard, discreetly refolds The New York Times. A woman even older than I sits still with her eyes closed, plastic shopping bags around her feet. Maybe she is listening to the music.

How far do you think we could get, all of us together, if we had a pickup truck and a sandwich or two?

The town crier in his cowboy suit and yellow hardhat stomps in, announcing The world is all f***ed up and it pisses me off. The tire man says Yes, yes, isn’t that so, and brings him coffee from the back room.

Somewhere up in the Continental Divide a trucker pulls over to chain up. In Houston someone makes a tiny correction to the orbit of a tiny moon. Tonight while we are sleeping it will slip unnoticed across our hoop of autumn sky.

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Set in a tire shop waiting room, the poem turns a dull errand into a small portrait of a community. The opening line, "You'd think we were waiting for bad news," sets a quiet, uneasy tone, but what follows is oddly tender. The speaker, who seems to be older herself, notices each person closely: a woman quilting stars and a moon onto black satin, a bearded man folding his newspaper, an elderly woman with her eyes shut. Their stillness feels almost like a shared vigil.

The speaker's wondering how far "all of us together" could get with a pickup truck and a sandwich suggests a longing for escape, but also for connection. Even the angry "town crier" is met with kindness when the tire man brings him coffee. The ending widens out to a trucker in the mountains and someone adjusting a moon's orbit. The quilted sky and the real "hoop of autumn sky" echo each other, so the mood becomes gentle, watchful, and consoling.

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