IT’S MARCH IN VERMONT — Summary

The Muse must be in Miami, drinking sweet tough coffee in a Cuban café, laughing when a rat scurries across the sidewalk, listening to the brown-legged mothers scold.

She must be spending afternoons walking where the água meets the blanca, watching one porpoise cruising, one small airplane dragging its ad, one plump woman airing her tits in the sun.

Evenings she goes to the Italian Restaurant where three waiters in tight black pants attend to her. They offer soft ripe cheeses and red wine, lightly brush her shoulder when they pass, tell her the tiramisu was made just for her. When they bring the bill, they touch her sunburned hand, sigh when she rises to go. They promise her they’ll count the moments till she comes again.

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The title sets the scene: it's March in Vermont, and the speaker is stuck there, unable to write. The poem imagines the Muse, the spirit of inspiration, as someone who has abandoned her for warmer places. The Muse, the speaker guesses, must be in Miami, enjoying a life full of color, noise, and appetite.

The details are sensory and a little cheeky: strong sweet coffee, a rat darting across the sidewalk, mothers scolding, a plump woman sunbathing topless. Then the poem turns to evening and the Muse is courted by three attentive waiters, who offer cheese, wine, and dessert made "just for her." They touch her hand and promise to count the moments until she returns.

The mood is wistful and playfully envious. The speaker never says she feels left behind, but the contrast between the lively, flirtatious south and the unspoken cold of Vermont says it for her. The last lines also sting a little: someone else is being begged to come back, while the speaker waits.

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