Roberts describes a person alone in a small, bare apartment where objects feel more alive than people. A chair is "married" to a desk, a telephone has "divorced" its stand, and days bring "little for weeks." The speaker seems isolated and numb, with nothing to mark time.
Then something shifts. One quiet morning over tea, the floor tiles begin to float, and the speaker's own body follows: eyes, nose, ears, fingers, organs, all drifting apart without pain. The tone moves from flat boredom to a strange, hypnotic wonder. The body becomes "a mobile of body parts," connected yet "distinctly alone," which could mirror the loneliness of the opening.
The ending is bleak. A window opens, everything is sucked out, and only the glowing lights and running TV remain, with no one left to look at them. The mood is eerie and calm, like a quiet dissolving of the self, and the final line leaves the reader without a place to begin.