Calmly Now, Tatum Waterway — Summary

Rob GoyanesContemplative

Went up to cross you— yes you— footbridge slim, two meters wide and you were long frowning, though ever slightly, over Tatum.

Incorruptible, you always make ways to places not here, as ponytailed Venezuelan boys wheelie cross your parabolic back, and the slow fluid fills the ever-thirsty mouth of Bahía Vizcaína,

who, in the face of language, is in fact, a lagoon.

And the pelicans probe her in the night as the kids make their way, ever eerily, living freely, unknowing of the hurt they’ll soon cause too.

One side a’ you whitely lit and the other is orange aglow,

you trafficker in lascivious secrets,

those of teenagers, the body, the master, a forever reminder that we are all cursed to crossing over;

Something in the water here makes lazy bones.

Show the whole poemHide the poem

Learn Poems app

Try the Learn Poems app

Everything from the website trainer, and more: new exercises, voice recording and sharing, reminders, quick review.

The speaker walks across a slim footbridge over a waterway and addresses it directly, as if it were a person. The bridge seems to frown over the water, steady and "incorruptible," always leading somewhere else. Around it, ordinary life goes on: boys pop wheelies over its curved back, pelicans probe the water at night, and the lagoon, which the speaker notes is technically a lagoon despite what we call it, takes in the slow current.

The mood is dreamy, a little uneasy, and tender. The speaker watches the kids "living freely" and senses the hurt they will one day cause, and perhaps suffer. The bridge, lit white on one side and orange on the other, becomes a keeper of teenage secrets and a reminder that everyone has to cross over, from one stage of life to the next. The final line, about "lazy bones," leaves a hazy, almost hypnotic feeling, as though the place itself slows you down.

Read also