What the Chandeliers Want — Summary

So badly to dance, desperate to set loose from the ceiling,

they are bewitched by the dress balls,

partners swaying, swishing beneath their lights,

the shimmer and aura of glamor and romance,

their own reflection in the polished wood floor,

so much they wish to be unhooked, unleashed,

their crystal gently jingling, to float among the couples

in time to the music, the waltz, the mood.

And one morning after, lights still off after the gala

the night before, comes a quiver, jarring them

awake. It turns into a major rumbling, and unaware

of the earthquake in progress they dance in the daylight,

hanging now by slender threads of electrical wiring,

hardly alarmed, though, as lights flicker on and off

until the lot of them give way, crash, shatter,

go to pieces but worth it they dreamily conclude,

before expiring, worth every minute, every shard.

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Wexler gives chandeliers a wish: to leave the ceiling and join the dancers below. Night after night they watch the couples sway through the waltz, and they see their own glittering reflection in the polished floor. They long to be unhooked and float among the dancers, crystals jingling in time to the music.

Then, the morning after a gala, an earthquake begins. The chandeliers don't register it as danger. To them, the shaking feels like dancing at last. They swing from their thin electrical wires, lights flickering, barely worried, until they fall and shatter.

The mood is wistful and playful, with a darker edge. The speaker treats the chandeliers tenderly, and the poem's last words, "worth / every minute, every shard," say that a brief, wild moment of freedom can be worth the ruin it costs. The poem seems to ask what we would risk, or lose, to feel truly alive, even once.

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