9/25/2020- Lullabies — Summary

Night is so much better than day. All the skeletons come out of their closets and the lightning bugs are free.

I'm alone! I can mess with my hair, Experiment with microwave s'mores (which I don't exactly recommend), And play any of my instruments as poorly as I desire.

The problem is, I'm alone. I'm not scared of the dark, But I am scared of myself. I've been tortured by my own head in the loudest and quietest environments. There's no way to escape that.

I've been good. I'm taking my pills, I'm being less sarcastic and cold, And I try in my classes.

I still have three I'm failing.

All I can do is sing myself to sleep. My own lullabies to keep the quiet away. I feel all empty, and I wish someone would understand the struggle and sing with me. I'm but a lonely songbird in the middle of a desolate desert.

No one knows my soulful tunes. They're mine after the things that happened last time I shared them. I wish I had a mutual trust where I could share my little ditties and someone else would hold together the broken pieces.

Goodnight to the moon and all their people.

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Night feels like freedom to the speaker at first. Alone, they can mess with their hair, burn through odd experiments like microwave s'mores, and play instruments badly without anyone judging. But the cheerful tone cracks quickly. Being alone is also the problem, because the real fear isn't the dark but their own mind, which torments them whether the world is loud or silent.

The speaker is trying hard to do the right things: taking pills, softening their sarcasm, working at school. Yet three classes are still failing, and the flat, short line that says so hits like a sigh. Singing lullabies becomes a way to push the quiet back. The image of a lonely songbird in a desert sums up the mood: tender, tired, and isolated. They long for someone to trust with their songs, and the closing goodnight to the moon feels both gentle and a little sad.

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