Care and Feeding of the Cummins Shredder — Summary

Bring only good intentions: volumes of the past

too thick to burn too dead to resurrect

Approach with gentle touch feet securely anchored on clean swept floor voice set for coaxing

Experiment with the thickness of the feed: a single sheet whines for something more solid

anything fatter than a pancake halts all progress

Listen for the growl of satisfaction

Paper cuts are a potential hazard Band Aids are on the shelf behind you

Think horizontal

Insert documents to match the wide grinned teeth

Cradling that larger portion of your life in the less dominant arm a swift back-hand-flick-of-the-wrist works an easy feed

DO NOT SPEED

Find your rhythm

Allow the cut to drop and fall before introducing new

REMEMBER: You wouldn’t be here if it weren’t necessary

Should the shredder refuse to drop & congest at back of machine press red triangle on your right, turning machine off before proceeding to press shavings through hole in the back of the laminate counter—

BEWARE of sharp steel edge at back of machine

When bag nears full, compress shredding to create room for new material

Whatever you do, keep an upright posture

Do not stoop over feed which may be hungry for long hair, ties, scarves, jewelry

Follow all instructions: never use reverse

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On the surface, this is a set of operating instructions for an office paper shredder: how thick to feed it, what to do when it jams, what to keep away from its teeth. But the instructions keep slipping into something heavier. The "volumes of the past" are "too thick to burn / too dead to resurrect," and the speaker carries "that larger portion of your life" in one arm as they feed it in. The poem suggests someone destroying records of a past they can't keep, though it never says exactly what.

The flat, bossy tone is the point. The speaker seems to hold feeling at a distance by hiding behind procedure, and the shredder becomes a hungry animal that "growls" and has "wide grinned teeth." The line "You wouldn't be here if it weren't necessary" sounds like self-reassurance. The mood is tense, tired and quietly sad, with dark humor in the warnings about hair and scarves. The final rule, "never use reverse," carries the poem's finality: nothing destroyed here comes back.

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