i do remember — Poem analysis

Kids running around So young so happy So free Not a fright Came to me When you were around I remember The smile i had That luagh of yours The light that surrounded us With you there was no Mistakes no wrongs But as time went by We grew apart But what they didn't know Was that i loved you And i still do And if you came back I would say I remember Yes i remember you My love Donald

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The most striking thing about "i do remember" is how little it asks of its words. Veronika Flynn builds the poem from plain, short lines such as "So young so happy / So free", and trusts them to carry a feeling that ornate language might smother. The subject is a lost closeness. The speaker looks back on a time of childlike ease with someone, admits the two drifted apart, and insists that love survived the drifting. The central idea is that remembering is a form of loyalty. Nothing happens in the poem except memory, yet by the end memory has turned into a promise.

The poem shifts its pronouns with care. It opens on "Kids running around", a general scene, almost a snapshot with no one in particular in it. A few lines later it narrows to "you", then "us", so the view pulls in from crowd to pair. The word "around" appears twice, first in the children's play and then in "When you were around", and the echo ties the carefree noise of childhood to one person's presence. Fear is described only by its absence: "Not a fright / Came to me." The phrasing is slightly unusual, since we would expect "I wasn't afraid", but it makes fear sound like a visitor who never arrived.

The beloved is built from sensory fragments: "The smile i had", "That luagh of yours", "The light that surrounded us". The smile belongs to the speaker, not the other person, so happiness is recalled as something the other person made possible. Light is the poem's one real image, and it is deliberately vague. Light has no edges, which suits a memory softened by time. The claim "With you there was no / Mistakes no wrongs" breaks across a line, leaving "no" hanging before the sentence finishes. That small pause suggests the speaker may half-know this is an idealisation, a past edited by affection. The lowercase "i", the missing punctuation and the spelling "luagh" give the poem an unpolished, spoken quality. Without full stops, thoughts spill into one another the way memories do.

The turn is understated. "But as time went by / We grew apart" is stated flatly, with no quarrel and no villain. Then comes a second "But": "what they didn't know / Was that i loved you." The poem never says who "they" are. They could be family, friends or simply everyone outside the pair. What matters is the secrecy this implies, a love that was real and unseen. The next line, "And i still do", is the emotional hinge. It is only four short words, and it moves the poem from past tense into the present.

There is no steady rhyme or metre here, only free verse. Still, "free" and "me" do rhyme in the opening lines, a brief flicker of music that then dissolves, as if the easy harmony of childhood cannot last in the form either. The short lines slow the reader down, giving each phrase the weight of something said aloud. Repetition does the structural work. "Remember" appears in the title, in "I remember" and again in the final stanza, but it changes function. First it is private recollection, then it becomes address: "Yes i remember you." Judging by that "Yes", the title could be an answer to an unspoken question, "Do you remember?", which makes the whole poem a reply rehearsed for a reunion. The last stanza is conditional ("if you came back / I would say"), so the reunion exists only in imagination.

The ending leaves a puzzle. "My love / Donald" reads like the close of a letter, yet the byline names Veronika Flynn, so the name is either a signature in a speaker's voice or the name of the person addressed. The poem does not settle it. If it is a signature, the poem becomes a message waiting to be sent. If it is the beloved's name, it arrives only at the very end, as if the speaker can finally say it aloud.

The poem's significance lies in its sincerity and restraint. It does not dramatise the separation or explain it. It stays with the one thing the speaker can control, which is what she or he chooses to keep. Its plainness makes the mechanics of feeling easy to see: affection smooths the past, absence turns memory into speech, and a simple verb, "remember", can carry the weight of a whole relationship.

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