Inside//Outside — Summary

He went to work.

He came straight back home.

Gave up his daylight-dreams of improvement to the comforts of deranged sense & sleep, & told himself that he would never do it again, that he would stop thinking about it.

He didn’t.

She went to work.

She stayed out in the night.

Not wanting to return home to the stillness, to the nothing, to the oppressive sound of silence, she told herself that escape was found in oblivion, & that she would never return again.

She did.

On Saturday, they were no-one.

On Sunday sunlight glided through the windows, dust motes floated through the air & the sound of birdsong rose above the noise of the city.

It all became too much.

So, at different times, in different places, they both went outside.

They looked up to the sky & something that felt like peace perverted by corrupted innocence filtered out everything they had ever taken for granted.

They sensed beauty in the periphery.

They heard noises,

smelled fumes & perfume,

saw beasts & machines.

It all became too much, so

they both turned turned away

& went inside again

alone.

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Two people live parallel lives of quiet desperation. He goes to work, comes home, and tries to stop dreaming of a better life but can't. She stays out at night to avoid the silence of her home, promises herself she won't go back, and does. Their repeated failures to change anything give the first half a tired, circular feel.

Then the weekend arrives and the routine falls away. On Sunday, sunlight, dust and birdsong fill the day, and the beauty is almost too much to bear. Both step outside, separately, and look up. The poem suggests they feel something like peace, yet it is tainted, and the world they meet is a mix of fumes, perfume, beasts and machines. Overwhelmed again, they retreat indoors.

The mood is bleak, weary and quietly sad. The title, "Inside//Outside," fits: neither place offers relief, and the two never meet. The doubled "turned turned" reads like a stumble, a hesitation before they give up.

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