The Dream — Summary

Before the shimmer of colour dissolves into images & the senses synchronise, before objects gain permanence & noise becomes language, as instinct urges the first scream of protest, the craving begins:

to touch & to be touched.

A dream proceeds through the senses, through sadness, through elation, through bitter-sweet isolation, & the aleatory revelation when first we notice the symmetry between our veins & those of the leaves:

the dream that we can reach out to touch not just the surface but the ineffable essence.

Melancholia is our mourning for, & fucking our delirious affirmation of, this dream; speech is our abstract acceptance that the dream is impossible, & your smile is the only reason I sometimes still believe it isn’t,

because there are more ways than one to touch & to be touched…

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The poem begins before we can think or speak, in the blurry moment before colours become images and noise becomes words. At that point, the speaker says, one desire already exists: to touch and be touched. Everything after grows from that craving. The speaker calls it a dream, the hope that we might reach past the surface of things and hold their "ineffable essence," something too deep for words.

The speaker treats the rest of life as a response to that dream. Sadness is mourning for it, sex is a frantic way of affirming it, and speech is a quiet admission that it can't come true. The tone is searching and a little wistful, but not hopeless. The turn comes with "your smile," which makes the speaker doubt that the dream is impossible. The closing lines, trailing off into an ellipsis, suggest that closeness may simply take forms other than the one the dream imagined. The mood ends tender and tentatively hopeful.

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