Painting of a Smile — Summary

Mike StoneContemplative

A painting of a smile within a painting of a girl,

Eyes have known pain,

Flesh, flesh.

A ringed hand raises a cup to cratered lips parted And wine trickles through wordless orifice Through a body of no one’s knowing.

The ringed hand chops down And the cup explodes upon the table.

Silence follows.

Across the room the painting smiles Or perhaps it is a painting of a smile.

Outside, many years ago,

A light storm.

Her face.

Fingers clawed the clay.

Dawn diminishes the cold photon fire That flies from rusted wheels of trains Crashing through my windows.

I walk through Hilbert space Infinity glued to my skin.

God gambles at my feet with a Roman For my seemless word.

Out! I cry with vanished desire.

Darkness creeps backwards

Facing the Dawn and bowing now and then.

I begin to sag against infinity Strangling softly, strangely.

Women weeping.

Then I see her for a moment Silhouetted lightly on a tall cliff.

Her thin arms rising and falling To some percussion in my head.

An alien familiarity.

Her eyebrows are raised slightly And her mouth is a straight line.

She directs something,

Something I barely feel.

I can feel it now more than before. It is her intention.

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The poem begins in front of a painting, but it slips quickly into memory and dream. A ringed hand lifts a cup, then smashes it down, and the silence afterward feels like the aftermath of an outburst. Across the room, the painted face smiles, or maybe it is only a painting of a smile, and that doubt sets the tone: nothing here can be trusted to be what it seems.

From there the speaker drifts into a stranger, more cosmic world, with trains, dawn, "Hilbert space" and infinity pressing against his skin. He cries "Out!" and starts to sag, strangling "softly, strangely." Then a woman appears on a cliff, her arms moving as if conducting the beat in his head. The poem seems to circle a lost or distant woman, though the text never says who she is. The mood is uneasy, dreamlike and haunted, ending with the speaker slowly sensing her intention.

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