Light Saint Yellow's Gate — Summary

Mike StoneRomantic

Through Light Saint Yellow's Gate I've fled,

Winter leaves, musty, dead.

Softened colors long since bled.

Dew-lipped Eurydice, imagined wed.

Little birds have little aught But their love of being little.

One ought have a little bird's love But many have naught.

No chronology was possible Time ebbed and flowed Like water under a moon;

She'd turn the clocks to face the wall in every room.

Description was equally unlikely.

Blonde hair swept back.

High forehead, arched brows.

Eyes in wonder round.

There was an innocence of mutual discovery That first day outside English Lit,

Too close for comfort.

Yet too compelling her wit.

It must have been her white raincoat

Or her white kiss at the stair top

That led me down to her graven underworld.

It was the first step.

Like breath, exhaling.

As I was drawn toward her She drew back;

My lungs, her air.

Another downward step:

A sudden downpour in the afternoon Of a cave that could have been our home But that was, as they say, water on the moon.

There was a bridge from nowhere to nowhere.

Its undersides echoed our words Like a fugue of shakuhachis.

Like a clash of Samurai swords.

Another step deeper still:

Like the clocks, I faced the wall. She stood behind me, frozen til Pressed against me, in her thrall.

After innocence came incandescence. She taped a string of bells to my ceiling. Turned off the lights and lit the string.

A small flame rose with bells pealing.

When she left, she left me reeling Like a moth around a flame.

Doomed to be consumed by feeling And suddenly that flame is gone.

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The speaker looks back on a love affair that began in a university setting and ended with the woman leaving. The poem borrows the myth of Eurydice, and the speaker seems to follow her downward, step by step, into an underworld. Along the way time stops making sense. She turns the clocks to face the wall, and the speaker can't describe her except in pieces: blonde hair, high forehead, round eyes.

The mood shifts from playful and innocent to intense. Early on there is wit, a white raincoat, a kiss. Later come the bells strung along the ceiling and set alight, a lovely image of passion that is also fragile. The ending is blunt. The speaker is left "reeling," like a moth drawn to a flame, and the flame simply vanishes. The feeling is not angry but dazed, a mix of wonder, longing, and the shock of sudden absence. The short, chiming lines make the memory feel both dreamlike and sharply felt.

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