The speaker looks back on a love affair that began in a university setting and ended with the woman leaving. The poem borrows the myth of Eurydice, and the speaker seems to follow her downward, step by step, into an underworld. Along the way time stops making sense. She turns the clocks to face the wall, and the speaker can't describe her except in pieces: blonde hair, high forehead, round eyes.
The mood shifts from playful and innocent to intense. Early on there is wit, a white raincoat, a kiss. Later come the bells strung along the ceiling and set alight, a lovely image of passion that is also fragile. The ending is blunt. The speaker is left "reeling," like a moth drawn to a flame, and the flame simply vanishes. The feeling is not angry but dazed, a mix of wonder, longing, and the shock of sudden absence. The short, chiming lines make the memory feel both dreamlike and sharply felt.