The Gate — Summary

Mike StoneContemplative

Clusters of lavender bells on the branch Press gently against the small window screen.

Their silent pealing calls me to walk among them. Nearby plump mangos fall heavily from bent branches And crash through dry twigs to thump on coarse grasses. A caramel cat stalks through whispering fronds Of stunted palm and cicada.

Parched vines send thin tendrils snaking round slowly The unsuspecting rafters.

Small red flowers among the green ivy

Lay siege to peeling walls and overwhelm them.

I stoop to pass beneath the brambled archway And open my gate on the hot afternoon.

Reasonable men are asleep in their labyrinths Of dead walls that shutter out empathy.

The souless streets dance and shimmer, a long mirage Stretching all the way to Samaria.

And when I weigh this day against All the yesterdays and all tomorrows,

I think it was a blessed day For I almost didn't think of you.

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The speaker steps out through a garden gate into a hot, drowsy afternoon, and the poem lingers over what they find there. Lavender blossoms seem to ring silently like bells, mangos thud to the ground, a caramel-colored cat prowls through the palms, and vines and red flowers slowly creep over old walls. The garden feels lush, slow and alive, almost taking over everything human-made.

Beyond it, the mood shifts. The "reasonable men" sleep behind walls that block out empathy, and the streets shimmer like a mirage. The speaker seems to contrast the vivid, open garden with a closed-off, lifeless world outside.

The ending reveals the emotional core. Weighing this day against all the days before and after, the speaker calls it "blessed" because they "almost didn't think of" someone. The tone is quietly wistful: a small, hard-won relief that shows how much that absence still weighs.

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