Merry-Go-Round — Summary

In a city gone grey with age and memory An amusement park sits abandoned With a rusted out Ferris wheel and Dangling chairs crying in the breeze.

The dodgem cars brood together With their sparkless staves That reach for sagging old nets.

A house of mirrors distorting reality Each for the other,

A tunnel of love, a longtime loveless.

And narrow gauge tracks turn into A haunted house that frightens the ghosts. Merry-go-round, going up and down.

Flesh and blood ponies impaled on cold poles. Wooden children ride on their saddles in silence. Going up and down, in waves of chill fog That wrap you in their wraith-like fingers,

A prison, this amusement park.

Gone grey with age and lonely dying.

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Mike Stone paints an abandoned amusement park in a grey, aging city, and the place feels less like a ruin than a body slowly dying. The Ferris wheel is rusted, its chairs "crying in the breeze," and the dodgem cars seem to sulk together. Nearly everything meant for fun has turned into its opposite. The tunnel of love is "loveless," and the haunted house frightens even the ghosts.

The merry-go-round is the poem's centre. Its ponies are "impaled on cold poles," and the wooden children ride in silence, going up and down with nothing to look forward to. The speaker doesn't say much about their own feelings directly, but the language suggests sadness, unease and a sense of being trapped. Calling the park "a prison" makes the repetition feel inescapable. The mood is chilly and lonely, helped by the fog and the repeated line about going "grey with age," which opens and closes the poem like a loop.

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