Elegy. Early Autumn — Summary

I'm headed up to the Great White North To slap some paint on the locksmith's house Out on Rhubarb Farm, where the Northern Lights Tease the tar out of hungry coyotes.

I left the memor)' of my first born there. In the bedroom with the crooked eaves. Where a dirty bib lies in a cold, dark crib. Locked out from critical eyes.

There was a life here, many lives. None large enough to silence a world fuU of din. None rich enough to move ahead and keep assail. None firm enough to tough it out and settle in.

I'm headed up to the Great White North To pry boards from covered windows.

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The speaker is travelling north to paint a locksmith's house on a remote place called Rhubarb Farm, but the trip is clearly about more than a job. This is where the speaker left "the memory of my first born": a bedroom, a dirty bib, an empty crib in the cold and dark. The poem never says outright what happened, but the imagery suggests a child's loss, and the title, "Elegy," points the same way.

The speaker feels weighed down and unsettled. The third stanza looks back on "many lives" in the house, none of them strong enough to drown out the world's noise or to stay and "settle in." The locks, the boarded windows and the crib "locked out from critical eyes" suggest a grief kept hidden. By the end, the speaker plans to pry boards from the windows, which hints at opening up painful memories. The mood is bleak and quiet, with a small sense of facing the past.

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