Piano and Trumpet — Summary

There’s an old elephant

Wheezing song like a gummed-up harmonica Outside the GUNS and PIANOS BUY-SELL-TRADE

They call him Mephibosheth

Used to perform in a small circus

He was injured in transit

Made him nervous from chronic pain

He had already been a teenage hypochondriac He read medical journals with a flashlight Under the covers

Came across a lovely article about Behavioural Management of Hypochondriasis And it stuck with him Like everything did

After the transport truck hit his left side

He tried to divert himself by listening to Dmitri Shostakovich but

The man was incomprehensible

So he listened to his music instead

They sat there in the Brattleboro retreat

Feet sharing tub water with torpedo fish

A phonograph playing a nice little waltz

In a Yiddish style

Simmering on the turntable like mother’s soup Ladled out with equal amount of love and passive aggression

Mephibosheth and Dmitri had this conversation The music was their interpreter

They would sneak into the retreat tower

With a keyboard and Mephibo’s trunk-as-trump’ Play some American-Russian patchwork of Melancholy

Against the rants written on the stone walls Piano and trumpet weeping and laughing Against and in harmony with:

Teachers are anointed censors and controllers Dispensers of secular catechism

Turning bright minds into toiling hands Drawing the blind on God's infinite sunshine

Upon their discharge

They zigzagged around the country side

The Connecticut River their companion Windows rolled down as the autumn leaves fell Like confetti over them

Red Red Red And orange like a sunset

And you may say that Dmitri was never there But his thoughts and his music are invested In the old elephant’s memory

And he blows them out

And draws them back in

Drawing the curious from passersby

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An old elephant named Mephibosheth wheezes music outside a pawn shop, and the poem tells the strange, tender story of how he got there. A former circus animal, he was hurt in a transport accident and has lived in chronic pain and anxiety ever since. The poem imagines him in the Brattleboro retreat, sharing a friendship with the composer Dmitri Shostakovich. Words fail between them, so music becomes their interpreter. They play together in a tower, piano and trumpet (his trunk), sounding both sad and funny.

The speaker treats all this with gentle humor and real affection. The jokes, like the flashlight-reading hypochondriac elephant, sit beside genuine sorrow. The mood is wistful and bittersweet, like a memory that warms and aches at once. The ending suggests that even if Dmitri "was never there," the music lives on in the elephant's memory. He blows it out, draws it back in, and catches the attention of passersby. Grief and comfort end up sharing the same breath.

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