Bearings — Summary

Angel boy,

T’ve got your back Angel boy,

I found your wings

There is a machine‘s submerged scream It buries radio jazz in this idling taxi Fast-food lineup

We watch

Apple Blossom pop corn

Roadside trees

Angel boy,

T've got your back Angel boy,

I found your wings

Iam the new king

With the cardboard crown Riding over a rising scream

We break into the pump room Find the jet pump grinding itself

Into hot metal impairment

T fall

Down, down, down

Against the wall, listening to my heart. Down, down, down

Angel boy,

I've got you back Angel boy,

I found your wings

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The refrain "Angel boy, I've got your back / I found your wings" frames a poem that slowly shows how fragile that promise is. The speaker sits in an idling taxi, surrounded by ordinary things: a fast-food lineup, roadside trees, the sign for Apple Blossom popcorn. Underneath it all runs a "submerged scream" that drowns out the radio jazz. Something is wrong, even though the surface looks normal.

The speaker then calls himself "the new king / with the cardboard crown," which suggests a pretend sort of power, grand but flimsy. When the pair break into the pump room and find the jet pump "grinding itself" into ruin, the machine seems to mirror the speaker's own state. He falls, repeating "down, down, down," and ends up listening to his heart. The mood is anxious and tender at once. The speaker offers comfort to the angel boy, but judging by the imagery, he may be the one who needs holding up.

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