To Myfanwy — Summary

Beautiful child of the waters born in a white room: here I sing you in hope out of all measure and weight. When they wrapped you and wound you, living, only your round face flickering gently,


small starlit fire-face – everyone said, for they knew: you are as lovely as though that fullness of two days’ moons had melted your cheeks, and your busy eyes had nursed upon dazzling light and your ears read runes written by birds in the leap month’s frozen snow; like pink cherries ripening and rings rolling that know no end, no telling, only sunlight and singing.

Beautiful child of the waters, wake me at night in the darkness only to tell me you love me: unweighed, unmeasured and awaiting in joyful and daylong delighting the meaning hidden to meet you.

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Michael John Pickering's poem is a welcome to a newborn child, Myfanwy, addressed with open, uncontained joy. The speaker calls her a "child of the waters" born in "a white room," which suggests a birth in a hospital or similar place, though that is an inference from the imagery. He sings to her "in hope / out of all measure and weight," as if his feeling is too big to be counted.

The middle of the poem piles up images of wonder: her face a "small starlit fire-face," her cheeks shaped by moons, her ears reading "runes written by birds." Everyone around her agrees she is lovely, and the comparisons to cherries and endless rings make her seem fresh, whole and complete. In the last stanza the speaker asks her to wake him at night just to say she loves him, and he looks ahead to a life still "unweighed, unmeasured," where its meaning waits to be found. The mood is tender, hopeful and almost dreamlike.

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Discussion

Why won't you sleep with me on the balcony?It may rainnot fast, dear, not in too much