Return at Dusk on a Motorbike — Summary

Nudged close to noon, a rainbow chinned the cloud - beyond where the mile-gobbling thunder ran is the get up and go of the grass, now standing proud of the hill it had hurried from. We began to observe the tide's taut handling of the shore, scrubbing off old tread along the rounded bay; wave snaps the heels of wave while the grippy pack worries the soft stones down the drifting day. Now at gone ten a small cloud crabs away, a tree, skew to the rock, glows out in black; a dead bell flower, its tung tweaked, wrung from hope, squeezed into rag, peels its pale anthers back. A June bug briskly idles down the falls that gently drift from sheerness to a slope; the crisp uneven lilt of the waves, the calls of crickets, while the nipped up night grows stiff splashed by the plonking of a backwashed skiff.

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The poem follows one day at the coast, from a rainbow near noon to the quiet of a night after ten. The title suggests a ride back at dusk, but the poem itself stays with the landscape: a storm has passed, the grass stands up fresh, and the tide works at the shore, wave after wave, rubbing the stones along the bay.

As the light fades, the speaker's attention narrows to small things. A cloud slips off, a tree shows black against the rock, a dead flower peels back its anthers, and a June bug wanders down the slope of the falls. The speaker seems calm and watchful rather than sad. Even the dead bell flower is described with close, almost tender attention.

The mood is hushed but alert. The language is knotty and physical, full of verbs like "snaps," "worries," and "tweaked," so the scene feels busy even as it settles. The last image, a skiff plonking against the water, leaves the night stiff, still, and full of small sounds.

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Discussion

Why won't you sleep with me on the balcony?It may rainnot fast, dear, not in too much