Bhairavi in the Long Gone — Summary

when the Cosmos is long in time, all the ashes add up in space. it matters not how oblong the song, it will fade out, will fade, fade. . .

when the Cosmos goes into coma no one will remember the freshness of Its breath— how It heaved and heaved and heaved in fire. the dancing atoms have gone cold and numb; they can’t maintain their lattices— and break and drift away. ..

no mouth then can pronounce:— no machine then can signify:-— no gas can pass on the meme, “entropy” plasmas long gone folded and dispersed. . .

no atom is attracted to other no neutron is sovereign all uncouples in collapse.

the bleakness blankets the darkness but there are no eyes left to hear the mythical tree fall in quantum silence the bleakness blankets the home stretch the bleakness blankets final darkness

terminal nothingness

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Q.R. Quasar imagines the end of everything: a far-future universe that has burned through its energy and slipped into a kind of coma. The poem pictures the Cosmos as a living thing that once "heaved and heaved and heaved in fire," then goes cold. Atoms stop holding together, matter drifts apart, and nothing is left to speak, record, or even remember. The word "entropy" sits alone on its own line, as if the poem were naming the culprit.

The speaker sounds less panicked than stunned, looking at a loss too large to grieve properly. Even songs, the poem suggests, must fade, however long they run. The repeated "the bleakness blankets" works like a slow tolling bell, and the twist on the old tree-falling-in-the-forest riddle, with no eyes left to hear it, makes the silence feel total. The mood is hushed, cold, and final, ending on the blunt phrase "terminal nothingness." The title, which mentions Bhairavi, seems to hint at a musical farewell, though that is only an inference.

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