Time, a Sequel to Glass — Summary

Sasha FennContemplative

Who has time?

Who holds time captive?

Tick-

Time can fly, but can it land?

Tock-

Time can run out, but can it run in?

Tick, Tock-

Who can time not escape from?

Who can command time?

Tock-

Time waits for no man.

Time waits for no woman.

Tick-

Time waits for no child, nor for those

who have lived for a time.

Tock, Tick-

They say time will tell, but time can not speak.

Who are they?

How do they know that time will tell?

For who can know time?

What can time know?

Nothing... but to run away, run by, run out.

Ding, Ding, Ding, Ding, Ding, Ding, Ding, Ding, Ding, Ding, Ding, Ding,

Ding.

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Sasha Fenn's poem is built almost entirely out of questions about time, set between the alternating "Tick" and "Tock" of a clock. The speaker keeps circling the same puzzle: who owns time, who controls it, who can truly understand it? Each answer seems to be no one. Time flies but may never land, runs out but never runs in, and waits for no man, woman, or child, a list that quietly takes in everyone, including those who have "lived for a time."

The speaker sounds restless and a little defiant, poking at old sayings like "time will tell" and asking who "they" are to claim that. By the end, time is reduced to a blunt, almost bitter answer: it knows nothing except how to run away, run by, run out.

The mood is tense and uneasy, like listening to a clock in a quiet room. The final lines make this sharper. Twelve dings, then one more, read like a chime that goes on one beat too long, as if time has gone past its limit.

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