Lines — Summary

Dave BontaContemplative

Just as I’m about to take a freight train up my nose, I stop with my head halfway to the rails: a spider is swimming past my face, like Rapunzel descending a single strand of her own hair. Her hindmost pair of legs pays out the line, the next two legs stick straight out for balance & the two pairs of forelegs move in circles, feeling all around for an anchor point. Not here, I say, nudging her silk wake to keep her off the mirror-tray & its two parallel lines of white powder. She reverses course like a yo-yo, heading for my finger. I push the thread a little farther & she severs her connection. Sorry, sister, I mutter as she drops to the floor — a chaos of newspapers — touching down without incident among the headlines.

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The speaker is about to snort a line of powder from a mirror-tray when a spider lowers herself on a thread right in front of his face. Instead of carrying on, he stops and watches. The poem lingers on small details: how she lets out silk with her back legs, steadies herself with the next pair, and feels around with her front legs for somewhere to attach. He gently steers her away from the tray, and when she climbs back toward his finger, he nudges the thread until she cuts it and falls.

What the speaker feels is a mix of tenderness and distraction. He speaks to her kindly ("Not here," "Sorry, sister"), and the Rapunzel comparison makes her seem almost magical. The mood is quiet and wry. The spider's "lines" of silk sit beside the lines of powder, and she lands safely among the newspaper headlines, a small, calm moment in a messy room. The poem doesn't say whether he goes through with it.

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