Charm — Summary

On a moonless night in August, under the gourd-rattle din of katydids, the forest floor is dotted with blue-green lights, dim as glow-in-the-dark toys an hour after lights-out: foxfire. I grope toward one at my feet, trace the shape of the log, then break off a glowing nubbin. It’s soft & flexible, & illuminates only the thinnest circle of the hand in which it rests. I slip it into a pants pocket, thinking I’ll show the others, but when I get back, somehow I can’t bring myself to mention it. It doesn’t seem right to parade such a recondite thing as if it were a trophy. A day later, it sits hard and shriveled like a dead ear atop my computer monitor.

I dream I’m sick & wake to find myself well. The tree full of birds.

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A night walk in the woods turns into a small lesson in restraint. The speaker finds foxfire, the faint glowing fungus on rotting wood, and takes a piece home in a pocket, meaning to share it. Once back, though, he can't bring himself to mention it. Showing it off like a trophy feels wrong for something so quiet and hidden. By the next day the glow is gone, and the nubbin looks like a shriveled dead ear on his computer monitor, a nice joke about how magic fades once it's taken out of its setting.

The short three-line verse at the end shifts the mood. A dream of sickness gives way to waking up well, and then a tree full of birds. The poem seems to suggest that the real charm lies in noticing and letting things be, not in owning them. The tone is hushed, curious, and gently humble, with a touch of dry humor.

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