(For Aline)
Now by what whim of wanton chance
Do radiant eyes know sombre days?
And feet that shod in light should dance
Walk weary and laborious ways?
But rays from Heaven, white and whole,
May penetrate the gloom of earth;
And tears but nourish, in your soul,
The glory of celestial mirth.
The darts of toil and sorrow, sent
Against your peaceful beauty, are
As foolish and as impotent
As winds that blow against a star.
To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.
When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?
Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,
Then what room for Despair, since Delight is Love's end?
There can be no danger in sweetness and youth,
Where Love is secured by good nature and truth;
Fair Child of Sun and Summer! we behold
With eager eyes thy wings bedropp'd with gold;
The purple spots that o'er thy mantle spread,
The sapphire's lively blue, the ruby's red,
Ten thousand various blended tints surprise,
Beyond the rainbow's hues or peacock's eyes:
Not Judah's king in eastern pomp array'd,
Whose charms allur'd from far the Sheban maid,
High on his glitt'ring throne, like you could shine
(Nature's completest miniature divine):
For thee the rose her balmy buds renews,
And silver lilies fill their cups with dews;
Flora for thee the laughing fields perfumes,
For thee Pomona sheds her choicest blooms,
Soft Zephyr wafts thee on his gentlest gales
O'er Hackwood's sunny hill and verdant vales;
When in summer thou walkest
In the meads by the river,
And to thyself talkest,
Dost thou think of one ever--
A lost and a lorn one
That adores thee and loves thee?
And when happy morn's gone,
And nature's calm moves thee,
Leaving thee to thy sleep like an angel at rest,
Does the one who adores thee still live in thy breast?
Does nature eer give thee
Love's past happy vision,
And wrap thee and leave thee
In fancies elysian?
Thy beauty I clung to,
As leaves to the tree;
I ne'er was struck before that hour
With love so sudden and so sweet.
Her face it bloomed like a sweet flower
And stole my heart away complete.
My face turned pale as deadly pale,
My legs refused to walk away,
And when she looked "what could I ail?"
My life and all seemed turned to clay.
And then my blood rushed to my face
And took my sight away.
The trees and bushes round the place
Seemed midnight at noonday.
I could not see a single thing,
Words from my eyes did start;
They spoke as chords do from the string
And blood burnt round my heart.
O the evening's for the fair, bonny lassie O!
To meet the cooler air and walk an angel there,
With the dark dishevelled hair,
Bonny lassie O!
The bloom's on the brere, bonny lassie O!
Oak apples on the tree; and wilt thou gang to see
The shed I've made for thee,
Bonny lassie O!
Tis agen the running brook, bonny lassie O!
In a grassy nook hard by, with a little patch of sky,
And a bush to keep us dry,
Bonny lassie O!
There's the daisy all the year, bonny lassie O!
There's the king-cup bright as gold, and the speedwell never cold,
And the arum leaves unrolled,
Bonny lassie O!
How beautiful the summer night
When birds roost on the mossy tree,
When moon and stars are shining bright
And home has gone the weary bee!
Then Mary Bayfield seeks the glen,
The white hawthorn and grey oak tree,
And nought but heaven can tell me then
How dear thy beauty is to me.
Dear is the dewdrop to the flower,
The old wall to the weary bee,
And silence to the evening hour,
And ivy to the stooping tree.
Dearer than these, than all beside,
Than blossoms to the moss-rose tree,
The maid who wanders by my side--
Sweet Mary Bayfield is to me.
Maid of Jerusalem, by the Dead Sea,
I wandered all sorrowing thinking of thee,--
Thy city in ruins, thy kindred deplored,
All fallen and lost by the Ottoman's sword.
I saw thee sit there in disconsolate sighs,
Where the hall of thy fathers a ruined heap lies.
Thy fair finger showed me the place where they trod,
In thy childhood where flourished the city of God.
The place where they fell and the scenes where they lie,
In the tomb of Siloa--the tear in her eye
She stifled: transfixed there it grew like a pearl,
Beneath the dark lash of the sweet Jewish Girl.
Jerusalem is fallen! still thou art in bloom,
As fresh as the ivy around the lone tomb,
And fair as the lily of morning that waves
Timid and smiling, beautiful and shy,
She drops her head at every passer bye.
Afraid of praise she hurries down the streets
And turns away from every smile she meets.
The forward clown has many things to say
And holds her by the gown to make her stay,
The picture of good health she goes along,
Hale as the morn and happy as her song.
Yet there is one who never feels a fear
To whisper pleasing fancies in her ear;
Yet een from him she shuns a rude embrace,
And stooping holds her hands before her face,--
She even shuns and fears the bolder wind,
And holds her shawl, and often looks behind.
I cannot know what country owns thee now,
With France's forest lilies on thy brow.
When England knew thee thou wert passing fair;
I never knew a foreign face so rare.
The world of waters rolls and rushes bye,
Nor lets me wander where thy vallies lie.
But surely France must be a pleasant place
That greets the stranger with so fair a face;
The English maiden blushes down the dance,
But few can equal the fair maid of France.
I saw thee lovely and I wished thee mine,
And the last song I ever wrote is thine.
Thy country's honour on thy face attends;
Men may be foes but beauty makes us friends.
The maple with its tassel flowers of green,
That turns to red a staghorn-shaped seed,
Just spreading out its scolloped leaves is seen,
Of yellowish hue, yet beautifully green;
Bark ribbed like corderoy in seamy screed,
That farther up the stem is smoother seen,
Where the white hemlock with white umbel flowers
Up each spread stoven to the branches towers;
And moss around the stoven spreads, dark green,
And blotched leaved orchis, and the blue bell flowers;
Thickly they grow and neath the leaves are seen;
I love to see them gemmed with morning hours,
I love the lone green places where they be,
And the sweet clothing of the maple tree.
What if this present were the world's last night?
Mark in my heart, O soul, where thou dost dwell,
The picture of Christ crucified, and tell
Whether that countenance can thee affright,
Tears in his eyes quench the amazing light,
Blood fills his frowns, which from his pierced head fell.
And can that tongue adjudge thee unto hell,
Which prayed forgiveness for his foes' fierce spite?
No, no; but as in my idolatry
I said to all my profane mistresses,
Beauty, of pity, foulness only is
A sign of rigour: so I say to thee,
To wicked spirits are horrid shapes assigned,
This beauteous form assures a piteous mind.