I saw a vision of beauty.
My eyes looked through the mists of ages,
Back to the glorious years when Beauty itself was God.
And I saw the waves of the blue Ægean,
Turquoise, sapphire, jacinth and amethyst mingled,
And I heard the singing of the water,
As of playing of distant pipes
By slender shepherd lads among the hills.
Then I turned away from the shore
And I saw the pediment of a great temple
Standing white against the sky,
And beneath the pediment rows of marble columns
Like giant trees in a forest of frozen beauty.
Statues gleamed amid the dark foliage of cypress and olive trees,
Statues of gods and goddesses, youths and maidens,
Horses of ruddy bronze and chariots of beaten brass.
Beneath the crawling shadow
Of a crumbling temple to gods long-forgotten,
The wild grape twines amid the fragments
Of shattered pillars prone upon the ground,
And its dark leaves hide from sight the broken sculptures
Of faun and youth and maiden,
That once stood in the temple pediment,
Young, naked, beautiful.
In wild freedom it climbs over the carved acanthus
leaves of the crumbling columns,
And weaves a funeral wreath over their dead beauty.
The wild bees hum and buzz
Among the grape-flowers, heavy with honeyed perfume,
Under the drowsy noonday sun,
That spills its amber wine from a full goblet over the
thirsting hillside.
Why must you sing of sorrow
When the world is so full of woe?
Why must you sing of the ugly?
For the ugly and sad I know.
Why will you sing of railways,
Of Iron and Steel and Coal,
And the din of the smoky cities?
For these will not feed my soul.
But sing to me songs of beauty
To gladden my tired eyes,--
The beauty of waving forest,
Of meadows and sunlit skies;
Sing me of childish laughter,
Of cradles and painted toys,
Of the sea and the brooks and the rivers,
And the shouting of bathing boys.
The poplars in the fields of France
Are golden ladies come to dance;
But yet to see them there is none
But I and the September sun.
The girl who in their shadow sits
Can only see the sock she knits;
Her dog is watching all the day
That not a cow shall go astray.
The leisurely contented cows
Can only see the earth they browse;
Their piebald bodies through the grass
With busy, munching noses pass.
Alone the sun and I behold
Processions crowned with shining gold--
The poplars in the fields of France,
Like glorious ladies come to dance.
We like to listen to her dress,
It makes a whisper by her feet.
Her little pointed shoes are gray;
She hardly lets them touch the street.
Sometimes she has a crumpled fan.
Her hat is silvered on the crown.
And there are roses by the brim
That nod and tremble up and down.
She comes along the pavement walk,
And in a moment she is gone.
She hardly ever looks at us,
But once she smiled and looked at John.
And so we run to see her pass
And watch her through the fence, and I
Can hear the others whispering,
"Miss Josephine is going by."
Say not of Beauty she is good,
Or aught but beautiful,
Or sleek to doves' wings of the wood
Her wild wings of a gull.
Call her not wicked; that word's touch
Consumes her like a curse;
But love her not too much, too much,
For that is even worse.
O, she is neither good nor bad,
But innocent and wild!
Enshrine her and she dies, who had
The hard heart of a child.
Who knows how beauty springs
Out of the world of things,
To take the eyes with sudden flame
And vanish whence it came,
High above things that vex,
Fear, covetousness, spite and sex ?
Lost in the busy day,
In thoughts that harry and press,
I knew a young girl passed
And heard her swinging dress ;
And when I turned I saw,
Raised on a stair,
Only her ankle, finely poised
Against the coloured air.
Who that has known can tell
How in this world of things,
The fields are full of summer still
And breathe again upon the air
From brown dry side of hedge and hill
More sweetness than the sense can bear.
So some old couple, who in youth
With love were filled and over-full,
And loved with strength and loved with truth,
In heavy age are beautiful.
I had forgotten how the frogs must sound
After a year of silence, else I think
I should not so have ventured forth alone
At dusk upon this unfrequented road.
I am waylaid by Beauty. Who will walk
Between me and the crying of the frogs?
Oh, savage Beauty, suffer me to pass,
That am a timid woman, on her way
From one house to another!
They have painted and sung
the women washing their hair,
and the plaits and strands in the sun,
and the golden combs
and the combs of elephant tusks
and the combs of buffalo horn and hoof.
The sun has been good to women,
drying their heads of hair
as they stooped and shook their shoulders
and framed their faces with copper
and framed their eyes with dusk or chestnut.
The rain has been good to women.
If the rain should forget,
if the rain left off for a year —
the heads of women would wither,
the copper, the dusk and chestnuts, go.
My people are gray,
pigeon gray, dawn gray, storm gray.
I call them beautiful,
and I wonder where they are going.
After you have spent all the money modistes and
manicures and mannikins will take for fixing you
over into a thing the people on the streets call
proud and beautiful,
After the shops and fingers have worn out all they
have and know and can hope to have and know
for the sake of making you what the people on
the streets call proud and beautiful,
After there is absolutely nothing more to be done for
the sake of staging you as a great enigmatic bird
of paradise and they must all declare you to be
proud and beautiful,
After you have become the last word in good looks,
insofar as good looks may be fixed and formulated,
then, why then, there is nothing more to
it then, it is then you listen and see how voices