Red gold of pools,
Sunset furrows six o'clock,
And the farmer done in the fields
And the cows in the barns with bulging udders.
Take the cows and the farmer,
Take the barns and bulging udders.
Leave the red gold of pools
And sunset furrows six o'clock.
The farmer's wife is singing.
The farmer's boy is whistling.
I wash my hands in red gold of pools.
Cool your heels on the rail of an observation car.
Let the engineer open her up for ninety miles an hour.
Take in the prairie right and left, rolling land and new
hay crops, swaths of new hay laid in the sun.
A gray village flecks by and the horses hitched in front
of the post-office never blink an eye.
A barnyard and fifteen Holstein cows, dabs of white on
a black wall map, never blink an eye.
A signalman in a tower, the outpost of Kansas City,
keeps his place at a window with the serenity of a
bronze statue on a dark night when lovers pass
whispering.
How did she abdicate?
Was it with soft sighs
And pretty feignings of a lover's state,
Or was it solemn-wise,
With altar offerings and rapt vows?
O no! when Love himself was there.
Most housewifely she bound her hair
And went off across the field to milk the cows.
Klang! Kling! the cow-bells ring
As the cows come home at night.
Slowly they pass over the grass,
Black and brown and white.
Sleepy and slow each one will go
With daisies and clover in her;
At the milking stall she'll give them all
As milk for Kenton's dinner.