I walked upon a hill
And the wind, made solemnly drunk with your presence,
Reeled against me.
I stooped to question a flower,
And you floated between my fingers and the petals,
Tying them together.
I severed a leaf from its tree
And a water-drop in the green flagon
Cupped a hunted bit of your smile.
All things about me were steeped in your remembrance
And shivering as they tried to tell me of it.
The ruins of your face were twined with youth.
Vines of starlight questioned your face when you smiled.
Your eyes dissolved over distances
And steeped the graves of many loves.
Night was kind to your body:
The careless vehemence of curves
Softened beneath your darkly-loosened dress.
And your heart toyed with an emotion
That left you vague hunger poised over death.
Twilight pushes down your eyes
With shimmering, pregnant fingers
That leave you covered with still-born touch.
With little whips of dead words
Silence cuts your lips to a keener red.
Your heart strikes its bed of dark mirth, in death,
And your hands lie over it, guarding the corpse.
Night will soon whisk away this room
But you are already invisible.
With crafty brooding life turned to Jack Rose
And made him heroin-peddler, and his pose
Was sullenly reflective since he feared
That life, regarding him, had merely jeered.
His vanity was small and could not call
His egoism to the dubious hall
Of fame, where average artists spend their hour.
Doubting his powers he was forced to cower
Within the shrill, damp alleys of his time,
Immersed in that brisk midnight known as crime.
He shunned the fiercely shrewd stuff that he sold
To other people, and derived a cold
Enjoyment from the writhing of their hearts.
A speechless artist, he admired the arts
Of blundering destruction, like a monk
Viewing a play that made him mildly drunk.
O little maple-trees,
Slender and unkempt, looking with shaggy askance
Upon the moon-spiked solitude;
O little maple-trees,
Growing a little toward the sky
That touches you to all eyes save your own,
You rattle insistently for wings,
But wings could never tear
The stain of earth from your feet:
The earth that gnaws at you until
Your wing-cries strike the autumn night.
You see, with me, this crescent moon
Juggled on the tawny fingertip
Of a running cloud.
The touch of your desire, or its fall,
Would but be symbols of an equal death.
Seasons bring nothing to this gulch
Save a harshly intimate anecdote
Scrawled, here and there, on paint and stone.
The houses shoulder each other
In a forced and passionless communion.
Their harassed angles rise
Like a violent picture-puzzle
Hiding a story that only ruins could reveal;
Their straight lines, robbed of power,
Meet in dwarfed rebellion.
Sometimes they stand like vastly flattened faces
Suffering ants to crawl
In and out of their gaping mouths.
Sometimes, in menial attitudes
They stand like Gothic platitudes
Slipshodly carved in dark brown stone.
The night that wee Francesca died
The little night wind sighed and sighed.
Chill and dew-laden it crept in.
Beneath her tiny hands, so thin,
I laid some little friendly flowers
That saw her laugh in sunshine hours.
She loved those pansy faces best,
Wise-eyed they went with her to rest.
The trees looked very dark and old,
The stars gleamed so far off and cold.
Only the little night wind sighed
The night that wee Francesca died.
Beloved Friend,
I write this verse to you
As if it were a letter I could send.
It seems to me sometimes my heart slips through
The purple barriers between us two,
And finds again your fire, your sacred bread:
Their warmth and wholesome sweetness ...
Fire and Bread!
Beloved, these symbols nourish Life anew ...
You are not dead!
Now that I know
How passion warms little
Of flesh in the mould,
And treasure is brittle, —
I'll lie here and learn
How, over their ground,
Trees make a long shadow
And a light sound.
Men die...
Dreams only change their houses.
They cannot be lined up against a wall
And quietly buried under ground,
And no more heard of...
However deep the pit and heaped the clay--
Like seedlings of old time
Hooding a sacred rose under the ice cap of the world--
Dreams will to light.
What of the silence of the keys
And silvery hands? The iron sings...
Though bows lie broken on the strings,
The fly-wheels turn eternally...
Bring fuel--drive the fires high...
Throw all this artist-lumber in
And foolish dreams of making things...
(Ten million men are called to die.)
As for the common men apart,
Who sweat to keep their common breath,
And have no hour for books or art--
What dreams have these to hide from death!
You inevitable,
Unwieldy with enormous births,
Lying on your back, eyes open, sucking down stars,
Or you kissing and picking over fresh deaths...
Filth... worms... flowers...
Green and succulent pods...
Tremulous gestation
Of dark water germinal with lilies...
All in you from the beginning...
Nothing buried or thrown away...
Only the moon like a white sheet
Spread over the dead you carry.