Five circus clowns dying this year, morning newspapers
told their lives, how each one horizontal in a last
gesture of hands arranged by an undertaker, shook
thousands into convulsions of laughter from behind
rouge-red lips and powder-white face.
Huntington sleeps in a house six feet long.
Huntington dreams of railroads he built and owned.
Huntington dreams of ten thousand, men saying: Yes, sir.
Blithery sleeps in a house six feet long.
Blithery dreams of rails and ties he laid.
Blithery dreams of saying to Huntington: Yes, sir.
Huntington,
Blithery, sleep in houses six feet long.
Under the harvest moon,
When the soft silver
Drips shimmering
Over the garden nights,
Death, the gray mocker.
Comes and whispers to you
As a beautiful friend
Who remembers.
Under the summer roses
When the flagrant crimson
Lurks in the dusk
Of the wild red leaves.
Love, with little hands,
Comes and touches you
With a thousand memories.
And asks you
Over the dead line we have called to you
To come across with a word to us,
Some beaten whisper of what happens
Where you are over the dead line
Deaf to our calls and voiceless.
The flickering shadows have not answered
Nor your lips sent a signal
Whether love talks and roses grow
And the sun breaks at morning
Splattering the sea with crimson.
Guns,
Long, steel guns.
Pointed from the war ships
In the name of the war god.
Straight, shining, polished guns,
Clambered over with jackies in white blouses,
Glory of tan faces, tousled hair, white teeth,
Laughing lithe jackies in white blouses,
Sitting on the guns singing war songs, war chanties.
Shovels,
Broad, iron shovels,
Scooping out oblong vaults,
Loosening turf and leveling sod.
I ask you
To witness —
The shovel is brother to the gun.
Crimson is the slow smolder of the cigar end I hold,
Gray is the ash that stiffens and covers all silent the fire.
(A great man I know is dead and while he lies in his
coffin a gone flame I sit here in cumbering shadows
and smoke and watch my thoughts come and go.)
What do we see here in the sand dunes of the white
moon alone with our thoughts, Bill,
Alone with our dreams, Bill, soft as the women tying
scarves around their heads dancing,
Alone with a picture and a picture coming one after the
other of all the dead,
The dead more than all these grains of sand one by one
piled here in the moon.
Piled against the sky-line taking shapes like the hand of
the wind wanted,
What do we see here, Bill, outside of what the wise men
beat their heads on,
Outside of what the poets cry for and the soldiers drive
on headlong and leave their skulls in the sun for —
what, Bill?
A MAN saw the whole world as a grinning skull and
cross-bones. The rose flesh of life shriveled from all
faces. Nothing counts. Everything is a fake. Dust to
dust and ashes to ashes and then an old darkness and a
useless silence. So he saw it all. Then he went to a
Mischa Elman concert. Two hours waves of sound beat
on his eardrums. Music washed something or other inside
him. Music broke down and rebuilt something or
other in his head and heart. He joined in five encores
for the young Russian Jew with the fiddle. When he
got outside his heels hit the sidewalk a new way. He
was the same man in the same world as before. Only
there was a singing fire and a climb of roses everlastingly
Faces of two eternities keep looking at me.
One is Omar Khayam and the red stuff
wherein men forget yesterday and to-morrow
and remember only the voices and songs,
the stories, newspapers and fights of today.
One is Louis Cornaro and a slim trick
of slow, short meals across slow, short years,
letting Death open the door only in slow, short
inches.
I have a neighbor who swears by Omar.
I have a neighbor who swears by Cornaro.
Both are happy.
Faces of two eternities keep looking at me.
Let them look.
Undertakers, hearse drivers, grave diggers,
I speak to you as one not afraid of your business.
You handle dust going to a long country,
You know the secret behind your job is the same whether
you lower the coffin with modern, automatic machinery,
well-oiled and noiseless, or whether the
body is laid in by naked hands and then covered
by the shovels.
Your day's work is done with laughter many days of the
year,
And you earn a living by those who say good-by today
in thin whispers.
Cross the hands over the breast here — so.
Straighten the legs a little more — so.
And call for the wagon to come and take her home.
Her mother will cry some and so will her sisters and
brothers.
But all of the others got down and they are safe and
this is the only one of the factory girls who
wasn't lucky in making the jump when the fire
broke.
It is the hand of God and the lack of fire escapes.
Now the stone house on the lake front is finished and the
workmen are beginning the fence.
The palings are made of iron bars with steel points that
can stab the life out of any man who falls on them.
As a fence, it is a masterpiece, and will shut off the rabble
and all vagabonds and hungry men and all wandering
children looking for a place to play.
Passing through the bars and over the steel points will go
nothing except Death and the Rain and To-morrow.